{"id":5443,"date":"2026-07-07T09:55:40","date_gmt":"2026-07-07T07:55:40","guid":{"rendered":"https:\/\/www.mozarteumdefrance.fr\/wp\/?post_type=tribe_events&#038;p=5443"},"modified":"2026-07-10T12:12:42","modified_gmt":"2026-07-10T10:12:42","slug":"elektra-opera-de-richard-strauss-fin-dun-monde-et-commencement-dune-ere-par-patrick-favre-tissot-bonvoisin-historien-de-la-musique","status":"publish","type":"tribe_events","link":"https:\/\/www.mozarteumdefrance.fr\/wp\/conference\/elektra-opera-de-richard-strauss-fin-dun-monde-et-commencement-dune-ere-par-patrick-favre-tissot-bonvoisin-historien-de-la-musique\/","title":{"rendered":"Elektra, op\u00e9ra de Richard Strauss. Fin d&rsquo;un monde et commencement d&rsquo;une \u00e8re par Patrick Favre-Tissot-Bonvoisin, historien de la musique"},"content":{"rendered":"\t\t<div data-elementor-type=\"tec_event_single_static\" data-elementor-id=\"5443\" class=\"elementor elementor-5443\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-13722c4 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"13722c4\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-06c84ff\" data-id=\"06c84ff\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-1d5a4fc elementor-widget elementor-widget-text-editor\" data-id=\"1d5a4fc\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p class=\"western\" align=\"justify\"><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\"><img fetchpriority=\"high\" decoding=\"async\" class=\"size-full wp-image-5743 aligncenter\" src=\"https:\/\/www.mozarteumdefrance.fr\/wp\/wp-content\/uploads\/2026\/07\/ill.jpeg\" alt=\"\" width=\"185\" height=\"272\" \/>Pr\u00e9senter <i>Elektra<\/i> de Richard Strauss demeure un exercice p\u00e9rilleux, tant on a dissert\u00e9 sur l&rsquo;extr\u00eame complexit\u00e9 de cette partition gigantesque. Un gigantisme bien r\u00e9el, non sur le plan de la dur\u00e9e mais des effectifs mis en \u0153uvre.<\/span><\/span><\/p><p class=\"western\" align=\"justify\"><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">Toutefois, pour qui accepte de se laisser guider et d&rsquo;entrer dans le syst\u00e8me d&rsquo;\u00e9criture de son auteur, il est donn\u00e9 de d\u00e9couvrir que cette \u0153uvre \u2013 au-del\u00e0 de sa r\u00e9elle violence d\u00e9vastatrice \u2013 demeure \u00e9tonnamment lisible et que l&rsquo;auditeur peut se laisser porter par le flot de son orchestration luxuriante, pouss\u00e9e jusqu\u2019aux confins de la jouissance sonore.<\/span><\/span><\/p><p class=\"western\" align=\"justify\"><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">Son \u00e9tude peut aussi offrir l&rsquo;occasion de nous replonger dans les sources du mythe antique des Atrides. Elle permet, \u00e9galement, d&rsquo;\u00e9voquer le compositeur Richard Strauss et son apport \u00e0 l&rsquo;histoire de l&rsquo;op\u00e9ra, tout particuli\u00e8rement par la cr\u00e9ation de cette <i>Elektra<\/i> qui, en 1909 \u00e0 Dresde, devait clore le chapitre du Postromantisme et ouvrir celui des temps nouveaux, provoquant un radical bouleversement dans le monde musical europ\u00e9en \u2013 voire au-del\u00e0 \u2013 en r\u00e9v\u00e9lant au public un univers in\u00e9dit des sons.<\/span><\/span><\/p><p class=\"western\" align=\"right\"><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">Patrick F-T-B<\/span><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-443347f elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"443347f\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-f1082d3\" data-id=\"f1082d3\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b2c141b elementor-widget elementor-widget-text-editor\" data-id=\"b2c141b\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\"><u><b>I \u2013 DISCOGRAPHIE S\u00c9LECTIVE<\/b><\/u><b> <\/b>(NB\u00a0: par ordre <u>d\u00e9croissant<\/u> de recommandation)<\/span><\/span><\/p><p><span style=\"color: var( --e-global-color-edb0bd7 ); font-family: Arial, sans-serif; font-size: medium; font-style: inherit; background-color: var(--tec-color-background-events);\">[Electre\u00a0; Clytemnestre, Chrysoth\u00e9mis, Oreste, Egisthe\u00a0; Orchestre \/ Chef \/ Firme]<\/span><\/p><ul><li><span style=\"font-size: medium; font-family: Arial, sans-serif; font-style: inherit; color: var( --e-global-color-edb0bd7 ); background-color: var(--tec-color-background-events);\">Nilsson, Resnik, Collier, Krause, Stolze\u00a0; Wiener Philharmoniker \/ Sir Georg SOLTI \/ DECCA<\/span><\/li><li lang=\"de-DE\"><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">Borkh, Madeira, Schech, Fischer-Dieskau, Uhl\u00a0; Staatskapelle Dresden \/ Karl B\u00d6HM \/ DGG<\/span><\/span><\/li><li lang=\"de-DE\"><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">Vinzing, Forrester, Rysanek, Norup, Hiestermann\u00a0; National de France \/ Christof PERICK \/ RODOLPHE.P<\/span><\/span><\/li><li><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\"><span lang=\"de-DE\">Behrens, Ludwig, Secunde, Hynninen, Ulfung\u00a0; Boston Symphony \/ Seiji OZAWA \/ PHILIPS<\/span><\/span><\/span><\/li><li lang=\"de-DE\"><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">Marton, Lipov\u0161ek, Studer, Weikl, Winkler\u00a0; Bayerischen Rundfunk. \/ Wolfgang SAWALLISCH \/ EMI<\/span><\/span><\/li><li lang=\"de-DE\"><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">Varnay, M\u00f6dl, Hillebrecht, W\u00e4chter, King\u00a0; Wiener Staatsoper \/ Herbert von KARAJAN \/ ORFEO<\/span><\/span><\/li><li lang=\"de-DE\"><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">Behrens, Rysanek, De Vol, Sch\u00f6ne, Galvez\u00a0; Orch. National Montpellier Friedemann LAYER \/ A.SUD<\/span><\/span><\/li><li lang=\"de-DE\"><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">Marc, Schwarz, Voigt, Ramey, Jerusalem ; Wiener Philharmoniker \/ Giuseppe SINOPOLI \/ DGG<\/span><\/span><\/li><li><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">Jones, Rysanek, Evans, Sch\u00f6ne, Hamilton ; Orchestre Suisse Romande \/ Jeffrey TATE \/ CLAVES<\/span><\/span><\/li><li><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\"><span lang=\"de-DE\">Nilsson, Resnik, Rysanek, W\u00e4chter, Windgassen ; Wiener Staatsoper \/ Karl B\u00d6HM \/ ORFEO<\/span><\/span><\/span><\/li><li lang=\"de-DE\"><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">Polaski, Meier, Marc, Struckmann, Botha ; Berliner Staatsoper \/ Daniel BARENBOIM \/ TELDEC.<br \/><\/span><\/span><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\"><br \/><\/span><\/span><u style=\"font-style: inherit; color: var( --e-global-color-edb0bd7 ); font-family: Arial, sans-serif;\"><b>II \u2013 VID\u00c9OGRAPHIE S\u00c9LECTIVE<\/b><\/u><\/li><li lang=\"de-DE\"><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">Rysanek, Varnay, Ligendza, Fischer-Dieskau, Beirer ; Wiener Philharmoniker \/ Karl B\u00d6HM \/ DGG <\/span><\/span><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\"><span lang=\"de-DE\">(NB\u00a0: <\/span><span lang=\"de-DE\"><u>Film<\/u><\/span><span lang=\"de-DE\"> de G\u00f6tz Friedrich).<\/span><\/span><\/span><\/li><li><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">Nilsson, Dunn, Rysanek, Mac Intyre, Nagy ; Metropolitan Opera \/ James LEVINE \/ DGG <\/span><\/span><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\">Mise en sc\u00e8ne\u00a0: Herbert Graf.<\/span><\/span><\/li><\/ul><p><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\"><u><b>III \u2013 BIBLIOGRAPHIE S\u00c9LECTIVE<\/b><\/u><\/span><\/span><\/p><ul><li><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\"><i>Richard Strauss par Dominique Jameux\u00a0; collection Solf\u00e8ges, SEUIL 1971.<\/i><\/span><\/span><\/li><li><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\"><i>Richard Strauss <\/i>par Christian Goubault\u00a0; collection Horizons, BLEU NUIT 2008.<\/span><\/span><\/li><li><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\"><i>Elektra<\/i>\u00a0: L\u2019Avant-Sc\u00e8ne Op\u00e9ra n\u00b092\u00a0; novembre 1986 (+ r\u00e9\u00e9dition avec mises \u00e0 jour 2009).<\/span><\/span><\/li><li><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\"><span lang=\"de-DE\"><i>Richard Strauss und die Oper<\/i><\/span><span lang=\"de-DE\">\u00a0; Catalogue exposition Theater Museum Wien\u00a0; RESIDENZ 2014.<\/span><\/span><\/span><\/li><\/ul><p class=\"western\" align=\"right\"><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\"><i>Retrouvez les critiques musicales de Patrick Favre-Tissot-Bonvoisin sur\u00a0:<\/i><\/span><\/span><\/p><p class=\"western\" align=\"right\"><span style=\"font-family: Arial, sans-serif;\"><span style=\"font-size: medium;\"><i><b>R\u00e9sonances Lyriques.org<\/b><\/i>, <i>rubrique \u00ab\u00a0Presse\u00a0\u00bb, sous-rubriques \u00ab\u00a0Concerts\u00a0\u00bb et \u00ab\u00a0Op\u00e9ras\u00a0\u00bb<\/i> [NB\u00a0: acc\u00e8s libre et gratuit]<i>.<\/i><\/span><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-4670aa0 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"4670aa0\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-f32da8e\" data-id=\"f32da8e\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-0ea258b elementor-widget elementor-widget-image\" data-id=\"0ea258b\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"120\" height=\"180\" src=\"https:\/\/www.mozarteumdefrance.fr\/wp\/wp-content\/uploads\/2021\/06\/te\u0301le\u0301chargement.jpeg\" class=\"attachment-large size-large wp-image-856\" alt=\"Patrick-Favre Tissot\" \/>\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">Patrick Favre-Tissot-Bonvoisin \u00a9 Labo Photo Gris Souris DR<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-bf1c83c elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"bf1c83c\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-90eaf30\" data-id=\"90eaf30\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-cfabcf6 elementor-widget elementor-widget-text-editor\" data-id=\"cfabcf6\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p align=\"justify\">N\u00e9 \u00e0 Lyon, en 1962, Patrick FAVRE-TISSOT-BONVOISIN exerce sa profession depuis 1986 sur l\u2019ensemble du territoire europ\u00e9en francophone. Il se consacre plus particuli\u00e8rement \u00e0 la musique europ\u00e9enne des XVIII<sup>e<\/sup> et XIX<sup>e<\/sup> si\u00e8cles.<\/p><p align=\"justify\">Son r\u00e9pertoire comprend plus de 250 conf\u00e9rences. Il assure \u2013 actuellement et en moyenne \u2013 150 conf\u00e9rences par an. \u00c0 l\u2019automne 2021 il f\u00eate ses 35 ans de carri\u00e8re et prononce sa 5.555\u00e8me conf\u00e9rence en mai 2023.<\/p><p align=\"justify\">Administrateur du grand ensemble baroque lyonnais Le Concert de l\u2019Hostel Dieu depuis 2003, il en occupe actuellement la charge de Vice-Pr\u00e9sident. Depuis 2024, il est aussi administrateur des Concerts de la Chapelle de la Trinit\u00e9 \u00e0 Lyon.<\/p><p align=\"justify\">De 2009 \u00e0 2022, il tient la chronique des critiques musicales lyonnaises sur Lyon-newsletter.com. Depuis, il \u00e9crit principalement sur R\u00e9sonances Lyriques.org.<\/p><p align=\"justify\">En Janvier 2015, le Minist\u00e8re de l&rsquo;\u00c9ducation nationale, de l&rsquo;Enseignement Sup\u00e9rieur et de la Recherche le nomme Chevalier dans l&rsquo;Ordre des Palmes Acad\u00e9miques \u00ab pour son action en faveur de la diffusion du savoir relatif \u00e0 l&rsquo;Histoire de la Musique en Francophonie \u00bb.<\/p><p align=\"justify\">En 2011, les \u00c9ditions Bleu Nuit le sollicitent afin d&rsquo;\u00e9crire des biographies de compositeurs. Consacr\u00e9 \u00e0 Giuseppe Verdi, son 1<sup>er<\/sup> ouvrage date de janvier 2013. Le 2<sup>e<\/sup>, sur Ludwig va Beethoven, est publi\u00e9 en mai 2016. Le 3<sup>e<\/sup>, d\u00e9di\u00e9 \u00e0 Hector Berlioz, para\u00eet en janvier 2019.<\/p><p>En d\u00e9cembre 2020, il participe activement, sur France 3, \u00e0 l\u2019\u00e9mission t\u00e9l\u00e9visuelle de St\u00e9phane Bern Secrets d\u2019Histoire, consacr\u00e9e \u00e0 Beethoven.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Pr\u00e9senter Elektra de Richard Strauss demeure un exercice p\u00e9rilleux, tant on a dissert\u00e9 sur l&rsquo;extr\u00eame complexit\u00e9 de cette partition gigantesque. Un gigantisme bien r\u00e9el, non sur le plan de la &hellip;<\/p>\n<p class=\"read-more\"> <a class=\"\" href=\"https:\/\/www.mozarteumdefrance.fr\/wp\/conference\/elektra-opera-de-richard-strauss-fin-dun-monde-et-commencement-dune-ere-par-patrick-favre-tissot-bonvoisin-historien-de-la-musique\/\"> <span class=\"screen-reader-text\">Elektra, op\u00e9ra de Richard Strauss. Fin d&rsquo;un monde et commencement d&rsquo;une \u00e8re par Patrick Favre-Tissot-Bonvoisin, historien de la musique<\/span> Lire la suite\u00a0\u00bb<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"template":"","meta":{"_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":""},"tags":[],"tribe_events_cat":[],"class_list":["post-5443","tribe_events","type-tribe_events","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Elektra, op\u00e9ra de Richard Strauss. 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